QUEST FOR PEACE IN LITERATURE AND FILM: PACS 312

WENDY YU: 00165108

The Last Reflection on Choice

 

This is the last reflection for my portfolio and I hope to use this opportunity to put into perspective my other reflections. My first reflection was about sanity as the ultimate casualty of war. My second reflection considered the choice between the reality of death and the illusion of glory. My third reflection was about the force of history. My fourth reflection argued that, without a deliberate choice of action, history could easily become a process of devolution. As an abstract principle, the choice is obvious, peace or war, life or death. In the context of the world we live in, it is not so simple.

 

I read Reyna Hernandez’s “Yankees” while riding a Bloor-Danforth train. The line “they come “immunized” against everything except for death” echoed within the fast-moving space plastered with posters promoting the flu shot. This is the involuntarily human response: defend ourselves. In the long run, the abundance of vaccines will induce new strains of viruses. Indeed, our complex modern lifestyle had contributed to the current profusion of diseases. However, to remove this artificial shield would cause deaths we can prevent of lives we can protect.

 

This draws upon the same sentiments as the claims of ‘Homeland Defense’ described by David Watson in “Poetry, Empire and Catastrophe”. Terrorism is a consequence of the structural violence that we have implemented and our attempt to defend ourselves against terrorism causes further violence. In “Thoughts in the Presence of Fear”, Wendell Berry suggests local self-sufficiency as a means to end the structural violence caused by ‘free trade’. However, given the current distribution of population and state of environment, this solution will cause more starvation. In the short run, the right choice is perhaps more painful.

 

Many people regard September 11 as a wake up call, but we woke up to do what? Build thicker walls? We have been doing that for eons. In this sense, the fall of the towers did not change our world forever; it did not change our world at all. The selection of works from “September 11, 2001 American Writers Respond” calls for art as the voice of change, calls for artists to tell stories and paint pictures and bring about the real awakening.

 

“What follows, whether it comes to an end in one way, or the other, will depend in some obscure way on all of us,” writes Watson. The individual is not a puppet played by the government and the corporation. If the individual can look beyond the next tax cut, beyond tomorrow’s stock market, beyond the temporary shelter from violence he perpetuated, the government and the corporation will do the same. We are unwilling to make sacrifices for eternal world peace because nobody believes in it anyways. But why does peace have to be eternal or to encompass the whole wide world to be worth something?

 

Sharon Doubiago in “Jesus Was a Terrorist” refers to September 11 as “the opportunity to forgive them”. If we had refrained from revenge, each person that has died as a result of the attack would have been living proof of peace. To adapt the words of Wislawa Szymborska:

 

Whoever claims that war's omnipotent

is himself living proof

that it's not.

 

There's no peace

that couldn't be eternal

if only for a moment.

 

(416 words without first paragraph and last quote)

 

On Death, without Exaggeration

 

Whoever claims that it's omnipotent

is himself living proof

that it's not.

 

There's no life

that couldn't be immortal

if only for a moment.